Capturing the oral history of todays vets
17 December 2012
Army Officer Curtis Price interviews his 10-year-old daughter, Emily Price, at StoryCorps MobileBooth in Fort Bragg, NC
By Megan McCloskey
Published: December 3, 2012
WASHINGTON - For those who fought in Iraq and Afghanistan, history is already calling.
Unlike wars past, decades wont go by before todays generation of veterans are asked to share their stories. Still in the midst of the longest period of fighting in American history, a new project launching this week is set to capture and share the tales of war from the last 11 years.
StoryCorps, a national non-profit oral history project that is partnered with the Library of Congress and can be heard weekly on NPR, is hoping to record nearly 2,000 veterans, active-duty servicemembers and their families for the Military Voices Initiative. Over the next year, the nonprofit, along with Iraq and Afghanistan Veterans of America and the Veterans History Project, will collect about 700 stories.
The format is simple: A veteran sits down with someone, perhaps his wife or a battle buddy, and has a conversation about something he experienced at war or after coming home.
"This is a serious way for veterans to tell their stories and pass them on from generation to generation," Bob Patrick, head of the Veterans History Project, said.
These wartime memories serve not just as a record of the Iraq and Afghanistan wars, StoryCorps founder Dave Isay said, but are also a way to recognize "our shared humanity and the importance of listening" - something particularly key in an age of civilian disconnect with the military.
Some of the stories will be broadcast on NPRs Weekend Edition, and all of them will be preserved in the American Folklife Center archive at the Library of Congress.
Spc. Justin Cliburn recorded a session telling his wife about the bond he developed with two Iraqi children before tragedy struck. He said on Monday that he knows the history books will tell of the battles, but this initiative, hes grateful, "will tell the stories I care about."
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Omissions in the Editing of Oral History
After the completion of interview sessions, the original recordings are archived, the interviews are transcribed, proofread, and re-listened to. If the material possesses the qualities required for publication in the form of an article or a book, the editing process must begin. In general, understanding a verbatim transcription of an interview is often not straightforward and requires editing so that it may be transformed into a fluent, well-documented text that is easy to comprehend.100 Questions/8
We asked several researchers and activists in the field of oral history to express their views on oral history questions. The names of each participant are listed at the beginning of their answers, and the text of all answers will be published on this portal by the end of the week. The goal of this project is to open new doors to an issue and promote scientific discussions in the field of oral history.The Role of Objects in Oral Narrative
Philosophers refer to anything that exists—or possesses the potential to exist—as an object. This concept may manifest in material forms, abstract notions, and even human emotions and lived experiences. In other words, an object encompasses a vast spectrum of beings and phenomena, each endowed with particular attributes and characteristics, and apprehensible in diverse modalities.100 Questions/6
We asked several researchers and activists in the field of oral history to express their views on oral history questions. The names of each participant are listed at the beginning of their answers, and the text of all answers will be published on this portal by the end of the week. The goal of this project is to open new doors to an issue and promote scientific discussions in the field of oral history.
