Picturing the Family: Media, Narrative, Memory
This conference will set out to explore how concepts of family have been acted out, reinvented, or deconstructed, through various media including the visual arts, literature, and museum exhibitions, across the centuries. The family picture will be considered both in its figurative and art factual forms. We will look at the significance of the family picture in literary works or films (e.g. W.G. Sebald, Georges Perec¹s W, or the Memory of Childhood, or Pedro Almodovar¹s All About my Mother), and we will consider alternative concepts of family and kinship as pictured in paintings, photographs, graphic novels, and other visual media.
We are interested in media transfers, the question of what happens to family pictures when they are included in literary or visual narratives whether these are autobiographical or fictional. We aim to explore how different media reproduce or replace the family picture, or evoke it once it becomes lost (e.g. through e-phrases). We are also interested in the types of narratives that are created in museums, social media and family albums, through displays of family pictures and portraits.
Key questions to be examined will include: what are the changing conventions of the family picture and how do they reflect the changing conceptions of the institution of the family? Who is the addressee of the family portrait?
How do family narratives and family pictures inform each other? What is the role of family pictures in individual and cultural memory? Is the family a privileged site of memorial transmission (Aleida Assmann, Marianne Hirsch)?
Has it become the central trope through which national history is framed? What role do family pictures play within other cultural forms, e.g. in literature or film? Can other cultural forms offer alternatives to the kinds of family portrait we associate with photography?
We call for papers in English from across the disciplines and periods, as we wish to consider how the notion of family translates across time, through various ways of picturing it.
This international, two-day conference is organized by Members of Birkbeck Research in Aesthetics of Kinship and Community and of the Department of European Cultures and Languages, Dr. Silke Arnold-de Simine, Dr. Joanne Leal, and Dr. Nathalie Wourm with the History and Theory of Photography Research Centre at Birkbeck.
Confirmed keynote speakers are: Professor Martha Langford (Concordia University, Montreal) and Professor Annette Kuhn (Queen Mary University, London)
Please send an abstract of no more than 400 words to the organising committee at the following email address: brakc@bbk.ac.uk by 30 November 2013. We hope to publish a selection of the papers in due course.
10-11, July 2014
London, United Kingdom
Deadline for submission of abstracts: 30 November 2013
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Philosophers refer to anything that exists—or possesses the potential to exist—as an object. This concept may manifest in material forms, abstract notions, and even human emotions and lived experiences. In other words, an object encompasses a vast spectrum of beings and phenomena, each endowed with particular attributes and characteristics, and apprehensible in diverse modalities.100 Questions/6
We asked several researchers and activists in the field of oral history to express their views on oral history questions. The names of each participant are listed at the beginning of their answers, and the text of all answers will be published on this portal by the end of the week. The goal of this project is to open new doors to an issue and promote scientific discussions in the field of oral history.