Instead of Crying, She Laughed
Narrated by Mahin Khamisabadi
Selected by Faezeh Sasanikhah
Translated by Mandana Karimi
2025-8-7
When Jahad announced that we should go fruit picking, we couldn’t leave our children alone at home; they were too young. At times like this, poor Akbar Agha would rent a bigger vehicle so the children could come along too. About ten or twenty women would gather, and we would work hard picking the fruit from the trees and packing them into boxes. At sunset, a truck would come. The men would load the fruit and take it away. This was our routine until the late days of the war. Sometimes we would wash the fruit, cut it into small pieces, and cook it with sugar. Then we would send the jams to the front lines.
Once, we were sent to the Emarat orchard near Malard. It was a quince orchard, and the fruit was worm-eaten. About ten or twelve of us went, picked the quinces, and threw them in the yard of the Hosseiniyeh mosque. We washed them and removed the damaged parts. Then we chopped the fruit and made jam with it.
That day when we went to the orchard, a dog chased after our daughters, but instead of crying, my daughter laughed.
Even though the dog was chasing my daughter Leila, she was laughing. Setareh said, "Look! Instead of crying, she’s laughing!" Then, in the Hamedani Turkish dialect, she told her own daughter, who was crying out of fear, "Look, look! Learn from Leila, kid! You cried so much, your mouth dropped onto your heart!" (meaning: your mouth literally fell on your heart!) Shamsi Khanom kept laughing at Setareh’s words until sunset while we were in the orchard. She said, "Setareh! How on earth does a mouth fall onto the heart?!"
Source: Tavakoli leshkajani, Narjes, Rahimi, Mohammad Mehdi, Ma Ham Jangidim: Revayet-e Zanan-e Malard Az Poshtibani-e Defae Moghaddas (We Also Fought: Narratives of the Women of Malard on Supporting the Holy Defense), Rahyar Publishing Co. 2022, Pp 115.
Number of Visits: 1603
The latest
- Narrative and the "War of Narratives" in the Era of Resistance and Imposed Wars
- Memories of Mohammad Boloori
- Call for Fundamental Questions in the Field of Oral History
- 100 Questions/49
- The Third Regiment: Memoirs of an Iraqi Prisoner of War - 49
- Jasem Ghazbanpour's narration of the first day of the war in Khorramshahr
- Memoirs of Ali Fadaei
- The Relationship Between Oral History and Biography
Most visited
- The Third Regiment: Memoirs of an Iraqi Prisoner of War - 48
- The Relationship Between Oral History and Biography
- 100 Questions/48
- Seventh Theory: The evolutionary duality of document and narrative
- Jasem Ghazbanpour's narration of the first day of the war in Khorramshahr
- Memoirs of Ali Fadaei
- The Third Regiment: Memoirs of an Iraqi Prisoner of War - 49
- 100 Questions/49
100 Questions / 43
How can narrators and interviewers reach a common understanding?We asked several researchers and activists in the field of oral history to express their views on oral history questions. The names of each participant are listed at the beginning of their answers, and the text of all answers will be published on this portal by the end of the week.
Documentary Pathology of the US Embassy Documents
The Necessity of Scientific Rereading and Content Analysis of DocumentsMore than four decades have passed since the publication of the first collections of documents from the US Embassy in Tehran. However, despite the relatively easy access to this treasure trove of documents, systematic research exploitation of it has not been adequate. We still do not have a “comprehensive picture” of the content of these 11,000 documents.
100 Questions / 42
What is the importance of the narrator and interviewers shared understanding of the past in oral history?We asked several researchers and activists in the field of oral history to express their views on oral history questions. The names of each participant are listed at the beginning of their answers, and the text of all the answers will be published on this portal by the end of the week.
Validation: Challenges and Necessities
Where does truth stand in oral history? How can the correctness of a narrative be recognized? Does fact-checking matter? If there is exaggeration in the reporting of some accounts, how can it be detected? Is it possible to record an event accurately through the recording of a narrative? Readers and users of oral history works are often faced with these questions, and sometimes encounter doubts about some oral history works.






