A Series of Symposia on Iranian Cultural History at New York University
Iran: Animating the Archive
October 2015-March 2016
2015-11-29
Archives are integral in offering insights into a society’s social, political, cultural, and economic past, but what happens when political upheaval results in the scattering of archives, both official and unofficial, personal and public?
Following the 1979 Iranian Revolution, some official archives were destroyed for ideological reasons, others for espousing “improper culture,” and some simply to change the historical narrative. Nearly four decades after the Iranian Revolution, a new generation of Iran scholars are now researching the socio-cultural history of Iran in the years leading up to and following the Revolution, and are faced with a haphazard selection of resources.
Animating the Archive presents a series of symposia to gather together artists, archivist, academics and researchers to re-imagine archives of Iranian history. Discussions activate and animate a variety of archival practices by examining processual and compositional elements through which archives are created and made available. The symposia pose a number of questions regarding what the archive can offer, such as:
- What happens to archives after moments of national upheaval and ideological disagreements?
- What role do disaggregate archives play?
- What roles do these archives play and what culture do they keep? What culture is missing?
The goal of this series is to encourage debate and the opportunity to rethink how official and unofficial archives can offer publics valuable resources into Iranian history and can reanimate provocative retellings of Iranian cultural history.
The series is organized by Narges Bajoghli and Leili Sreberny-Mohammadi, both PhD candidates in Sociocultural Anthropology at New York University.
The series is generously supported and sponsored by the following centers, departments, and initiatives at New York University:
- Iranian Studies Initiative
- The Center for Media, Culture, and History
- Visual Arts Initiative, NYU Arts Council
- Department of Anthropology
- Hagop Kevorkian Center for Near Eastern Studies
- Grey Art Gallery, NYU
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Comparing the Narratives of Commanders and Ordinary Combatants in the Sacred Defense
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The First report: Alireza KamariAccording to the Oral History website, the unveiling ceremony of the book "Oral History: What and Why" by Hamid Qazvini was held on Sunday evening, November 24, 1404, in the presence of experts in the field of oral history in the Salman Farsi Hall of the Arts Center.
Mohammad — The Messiah of Kurdistan
Boroujerdi immediately said to Darvish, “Ready a few men; we’re going.” Then he moved toward Mostafa, who was studying the Kurdistan map. Mostafa straightened his back and said, “During my service in the army I experienced a full-scale war in Kurdistan. Guerrilla warfare in Kurdistan follows its own rules. The anti-revolutionary commanders want to draw us into a battle chosen on their terms.”
