Twelfth International Conference on New Directions in the Humanities
Madrid, Spain
Universidad CEU San Pablo
11-13 June 2014
Dear Delegate,
On behalf of the Organizing Committee and the International Advisory Board, we are pleased to announce the Call for Papers for the Twelfth International Conference on New Directions in the Humanities and the Call for Submissions to The Humanities Journal Collection.
The 2014 Humanities Conference will be held in Madrid, Spain from the 11-13 June at the Universidad CEU San Pablo. Proposals for paper presentations, poster sessions, workshops, roundtables, or colloquia are invited to the conference, addressing the humanities through one of the following themes:
Theme 1: Critical Cultural Studies
Theme 2: Communications and Linguistics Studies
Theme 3: Literary Humanities
Theme 4: Civic, Political, and Community Studies
Theme 5: Humanities Education
Presenters also have the option to submit completed papers to one of the fully peer-reviewed journals in The Humanities Collection. If you are unable to attend the conference, you may still join the community and submit your article for peer review and possible publication, upload an online presentation, and enjoy subscriber access to the journal.
Proposals are reviewed on rolling deadlines. The final submission deadline for in-person presentations is 11 May 2014 (title and short abstract). Proposals submitted after this day will be accommodated in non-themed sessions at the conference or are eligible for community membership registrations (no attendance at conference required with community membership presentations).
For more information and to submit a proposal visit: www.TheHumanities.com/Madrid-2014
Enquiries: conferencedirector@commongroundpublishing.com
Web address: http://TheHumanities.com/Madrid-2014
Sponsored by: The Humanities knowledge community / Common Ground Publishing
Number of Visits: 6762
The latest
- Narrative and the "War of Narratives" in the Era of Resistance and Imposed Wars
- Memories of Mohammad Boloori
- Call for Fundamental Questions in the Field of Oral History
- 100 Questions/49
- The Third Regiment: Memoirs of an Iraqi Prisoner of War - 49
- Jasem Ghazbanpour's narration of the first day of the war in Khorramshahr
- Memoirs of Ali Fadaei
- The Relationship Between Oral History and Biography
Most visited
- The Third Regiment: Memoirs of an Iraqi Prisoner of War - 48
- 100 Questions/48
- The Relationship Between Oral History and Biography
- Jasem Ghazbanpour's narration of the first day of the war in Khorramshahr
- Memoirs of Ali Fadaei
- The Third Regiment: Memoirs of an Iraqi Prisoner of War - 49
- 100 Questions/49
- Call for Fundamental Questions in the Field of Oral History
100 Questions / 43
How can narrators and interviewers reach a common understanding?We asked several researchers and activists in the field of oral history to express their views on oral history questions. The names of each participant are listed at the beginning of their answers, and the text of all answers will be published on this portal by the end of the week.
Documentary Pathology of the US Embassy Documents
The Necessity of Scientific Rereading and Content Analysis of DocumentsMore than four decades have passed since the publication of the first collections of documents from the US Embassy in Tehran. However, despite the relatively easy access to this treasure trove of documents, systematic research exploitation of it has not been adequate. We still do not have a “comprehensive picture” of the content of these 11,000 documents.
100 Questions / 42
What is the importance of the narrator and interviewers shared understanding of the past in oral history?We asked several researchers and activists in the field of oral history to express their views on oral history questions. The names of each participant are listed at the beginning of their answers, and the text of all the answers will be published on this portal by the end of the week.
Validation: Challenges and Necessities
Where does truth stand in oral history? How can the correctness of a narrative be recognized? Does fact-checking matter? If there is exaggeration in the reporting of some accounts, how can it be detected? Is it possible to record an event accurately through the recording of a narrative? Readers and users of oral history works are often faced with these questions, and sometimes encounter doubts about some oral history works.






