The ownership of the work is still not clear for the oral history books

If we do not share our expectations of the rights of oral history works, we will suffer misunderstandings

Following our discussion of Material Intellectual Property Rights of oral history works, we had an interview with Dr. Gholamreza Azizi, the former director of the Archival Research Institute of the National Library and Archival of Iran (NLAI).

Material Intellectual Property Rights of Oral History Work-7

It is among the narrator's rights to know from the ultimate goal of the interviewer and final confirmation of the text.

The importance of paying a decent fee to a methodical and scientific oral history project

Following our discussion of Material Intellectual Property Rights of oral history works, we have had an interview with “Yadollah Izadi,” one of the narrators of the Sacred Defense era, and a researcher and activist ...

Is oral history the words of people who have not been seen?

Some are of the view that oral history is useful because it is the words of people who have not been seen. It is meant by people who have not been seen, those who have not had any title or position. If we look at oral history from this point of view, it will be objected why the oral memories of famous people such as revolutionary leaders or war commanders are compiled.

Material Intellectual Property Rights of Oral History Work-6

In Oral History Contracts, Commitment Is One-sided

Following our discussion of Material Intellectual Property Rights of oral history works and the note of A Heritage With No Legal System, we discussed with Sooreh Mehr Publications, Fatehan Publications, Sooreh Sabz Publications, Dr. Abolfazl Hasanabadi, and Dr. Mouloud Sotoudeh. Now, we have a conversation with “Masoumeh Jafarzadeh”, one of the active oral practitioners in East Azarbaijan.

Qualitizing Oral History Works-5

Characteristics of Interviewee

The Iranian Oral History Website has conducted short conversations with some experts and practitioners in order to more understanding the problems of producing books on the topic of oral history books or memories, the results of which will be presented to the readers in the form of short notes and in several parts.

Material Intellectual Property Rights of Oral History Work-5

The necessity of financial estimation of projects by the Oral History Association

Following our discussion of Material Intellectual Property Rights of oral history works and the note of A Heritage With No Legal System, we discussed with Sooreh Mehr Publications, Fatehan Publications, Sooreh Sabz Publications, and Dr. Abolfazl Hasanabadi.

Qualitizing Oral History Works-4

Characteristics of Interviewer

Producing an oral history work is similar to make a building which has basic foundations. If these constituents are not provided correct, there would not be a desirable final product. An oral history work has two primary constituents: the first one is words that the interviewer states and the second is words that compiler collects. Most of any oral history work is about content that the interviewer expresses.

Interview in Oral History of Sacred Defense-3

According to many experts, interview is the heart of oral history and plays the role of the first brick in oral history. That’s why it is necessary even for people who have experience and knowledge in this field to acquire more knowledge, and modify and complement previously used methods. This necessity is more evident when we re-examine the interviews that were not conducted with the necessary standards.

Material Intellectual Property Rights of Oral History Work-4

Most Oral History Practitioners Get Caught Up in Criteria of Formal Compilation of Organizations

Following our discussion of Material Intellectual Property Rights of oral history works and the note of A Heritage With No Legal System, we discussed with Sooreh Mehr Publications, Fatehan Publications, and Sooreh Sabz Publications. During the latest weeks, the Oral History Website interviewed with some oral history practitioners in this field. In the current interview, “Dr. Abolfazl Hasanabadi” addresses more accurate and more concrete angles of material intellectual property rights in oral history books.

Material Intellectual Property Rights-3

“Work for Hire Agreement” is the best approach with difficult publishing conditions

Following our discussion of Material Intellectual Property Rights of oral history works and the note of A Heritage With No Legal System, we discussed with Sooreh Mehr Publications and Fatehan Publications. This time, the reporter of Oral History Website interviewed with the manager editor of Sooreh Sabz Publications about material intellectual rights:
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Book Review

Kak-e Khak

The book “Kak-e Khak” is the narration of Mohammad Reza Ahmadi (Haj Habib), a commander in Kurdistan fronts. It has been published by Sarv-e Sorkh Publications in 500 copies in spring of 1400 (2022) and in 574 pages. Fatemeh Ghanbari has edited the book and the interview was conducted with the cooperation of Hossein Zahmatkesh.

Is oral history the words of people who have not been seen?

Some are of the view that oral history is useful because it is the words of people who have not been seen. It is meant by people who have not been seen, those who have not had any title or position. If we look at oral history from this point of view, it will be objected why the oral memories of famous people such as revolutionary leaders or war commanders are compiled.

Daily Notes of a Mother

Memories of Ashraf-al Sadat Sistani
They bring Javad's body in front of the house. His mother comes forward and says to lay him down and recite Ziarat Warith. His uncle recites Ziarat and then tells take him to the mosque which is in the middle of the street and pray the funeral prayer (Ṣalāt al-Janāzah) so that those who do not know what the funeral prayer is to learn it.

A Critique on Oral history of War Commanders

“Answering Historical Questions and Ambiguities Instead of Individual-Organizational Identification”
“Oral history of Commanders” is reviewed with the assumption that in the field of war historiography, applying this method is narrated in an advancing “new” way, with the aim of war historiography, emphasizing role of commanders in creation of its situations and details.